Annie Burned the House Down

Grades Grade 9 & Up
Ages 14 and up

A girl follows the trail of a missing teenager—but the secrets she uncovers reignite the embers of her own history in this haunting novel in verse about the things we hide, even from ourselves.

Annie can’t even remember her father, or where exactly the cracks in her family began . . . but she can’t help feeling like the fracture is her fault. Her older brother Michael took off a year ago, leaving her alone with her mother’s bitterness. And when her mom lands in jail, Annie is sent to stay with her grandmother in the small town of Sarcelles.

But this quiet town is hiding dark secrets, including the recent disappearance of a local teen, Roxanne. Everyone seems like they’d rather blame the girl or forget her entirely—everyone except for Annie’s new friend Gio, who, like Annie, knows how it feels to be an outcast because of her family.

With Gio’s help, Annie chases down answers to questions no one else seems willing to ask. But the deeper her search goes, the more she feels like the real mystery in her life might be much closer home. Because being back in Sarcelles means confronting her own family history, including sparks of memories she can’t understand. And as the truths of her past and present meet and combust, will Annie be able to build something new from the ashes?

"Olivia Cole has done it again: ruined me with one of her books. Part coming-of-age, part mystery, Annie is a tour-de-force that respects the reader by being heartbreakingly honest when it must. Don’t miss this one."
—#1 New York Times Bestselling author Mark Oshiro

ISBN 9798217118571 (Hardcover)
Published on Feb 2, 2027
Published by Labyrinth Road
Pages 400
Dimensions 5-1/2 x 8-1/4
Age Range 14 and up
Grade Grade 9 & Up
Reading Level Lexile: NP

ISBN 9798217118601 (Ebook)
Published on Feb 2, 2027
Published by Labyrinth Road
Pages 400
Age Range 14 and up
Grade Grade 9 & Up
Reading Level Lexile: NP

ISBN 9798217414628 (Audiobook Download)
Published on Feb 2, 2027
Published by Listening Library
Age Range 14 and up
Grade Grade 9 & Up
Reading Level Lexile: NP

Olivia A. Cole

Olivia A. Cole is a writer from Louisville, Kentucky whose books have received numerous honors: long-listed for the National Book Award, LA Times Book Prize nominated, Kirkus Best Books of the Year, New York Public Library Best Books of the Year, Bank Street Best Books of the Year, and more. Olivia’s essays have been published by Bitch Media, Real Simple, The L.A. Times, Teen Vogue, Gay Mag, and others. Olivia is a teacher, advocate, and parent.

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Annie Burned the House Down

The social worker put her hand on my back

when she left me here in Sarcelles. It’s not her fault—­how

could she have known that when anyone touches me

even a fingertip

my body becomes barbwire? Living with Gran’Ida,

this is a problem.       

o touchy.

A hand on your shoulder.

A pat on your thigh.

A palm smoothing the wrinkle of your shirt.

I’ve learned from the internet that people

are animals: we can barely describe ourselves

without them.

Mad as a bull.

Deer in the headlights.

Crazy as a loon.

When animals are confronted

with danger, they survive

in three ways:

fight light reeze

One friendly touch on the shoulder

and I am bull eer oon.

Mom Barbara says I’ve always been this way.

Born jumpy   as a rabbit].

I don’t remember, but maybe she’s right.

Born to escape.

Blood that smells a trap.

If I can get through these six months

without being touched

I will consider it a tiny   urvival.

Horses

I forgot there were horses.

And so many.

They dot the fields, they crowd the fences, they talk

to each other over barbwire. Watch them long

enough and you know that they can speak:

ears and tails, a crescent of white

around the eye.

Gran’Ida sees me looking

on my fourth morning

in her house.

If you get kicked, you weren’t paying attention.

There’s always signs.

There are always signs. Sometimes

you blow right past them.

June 1

Michael has been “dead” for one year.

I don’t have a car so when I walk the country roads around Gran’Ida’s house, I have to imagine them from behind a steering wheel, the way he would see them if for some reason

he came zooming through Sarcelles from Boston.

I’m not sure when Mom Barbara and I made the agreement to regard him being gone as being

gone

but as with everything else, we did it silently.

My memory has holes, but in it, Gran’Ida cooked.

I was little then, and my brother “alive,” and my mother still unsmiling.

The drive here once or twice a year meant pot roast waiting, pancakes on our last morning.

This is different.

Theresa the social worker drove me out, and there was pot roast waiting.

But Grandpa Joe is dead [and so is Michael] and Barbara is alive

but not here, and by now Gran’Ida has arthritis in her knees.

Cereal in the morning.

Lunch on my own.

Dinner is still pot roast from the Crock-­Pot a lot of the time

but it’s different than I remember.

That said, I don’t remember much.

I miss lying to Barbara.

Sometimes I’d tell her I was going for a walk and be gone

for six hours. I would actually be

–at work

–sitting at a bus stop but not getting on

–at the library

–at the zoo (once)

–anywhere/nowhere

I would come home and she’d be angry—­where the hell

have you been, you said you were taking a walk

and I’d tell her I got lost, or that I took the long way,

that I had lost track of the day.

I called you ten times

and there would be my phone on the couch

where I’d left it on purpose.

Jesus, use your head, she’d say

and I’d shrug, apologize.

Like building a statue of a clown

piece by piece

then gradually letting it sleep

in my bed, wear my clothes,

sit at the table.

She thought/thinks I’m stupid.

So did/does Michael.

I let them. It’s another way

of being invisible.

But there are fewer lies to tell in Sarcelles.

Gran’Ida never asks where I’m going. When I tell her

she just nods, and there’s no reason to lie

if she doesn’t care either way.

I roam.

I give myself the walking tour

to see if what I remember

grows. But this is just a place

like any other place. The roads

are just roads: they lead nowhere

and I walk them.

Tour: post office

A woman older than Gran’Ida at the counter—­Easter-­pink hair.

Her name tag says peggy and I say hello: Do you have a package that’s being held for me? Sheena Green.

Peggy checks. She checks really well.

While she checks, she gossips to the other woman

behind the desk, farther back

and sorting mail.

Maybe she’s gone, Peggy says. Or maybe not?

Remember that show? Netflix I think.

Where the girl disappears and everyone

thinks she’s dead but it turns out

she’s hiding in her mother’s house

and it’s all an insurance scam?

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